The Groove Pool now opens automatically when: loading a groove file from the browser by double-clicking or pressing the Enter key adding a groove to the Groove Pool e. Linked-track editing makes it possible to use comping workflows and other phase-locked editing operations on multiple tracks at once.
Any tracks in the Arrangement View can now be linked so that their content can be edited simultaneously.
There can be multiple instances of linked tracks in a Set, however each track can only belong to one of these instances. Linked tracks are indicated by a "link" icon button in their headers. Clicking on a track's link icon selects all tracks that are linked together.
Hovering a track's link icon highlights tracks that are linked together. Tracks can be linked by selecting them and then choosing "Link Tracks" from the context menu. To link tracks inside a Group Track, right-click on the Group Track header and choose "Link Tracks" from the context menu.
To unlink all tracks in an instance of linked tracks, right-click on the link icon button to select all tracks in that instance and open the context menu, and then choose "Unlink Track s " from the context menu. When unlinking tracks inside a Group Track, is it also possible to right-click on the Group Track header and choose "Unlink Track s " from the context menu.
To link an additional track to an instance of linked tracks, first click on the link icon button, to select all tracks in that instance. To remove one or more tracks from an instance of linked tracks, select the corresponding track header s and choose "Unlink Track s " from the context menu.
Any subset of linked tracks, or a mix of linked and unlinked tracks, can be linked together by selecting their track headers and clicking the "Link Tracks" command in the context menu. The following controls and operations are synced on linked tracks: Track editing and time selection operations e. When one or more track headers are selected, pressing "Shift" and clicking on a track's link icon will select all tracks from the originally selected track to the newly-clicked track, as well as all linked tracks belonging to the linked track's instance.
Matching fades on linked tracks can be adjusted relative to their original values. Max for Live Improvements Updated the bundled Max build to version 8. The context menu of the controlled parameter now provides a "Go to Controlling Device" option. A parameter that is controlled or automated by a Max for Live device will no longer incur a one-buffer delay in the signal sent by Max for Live, if the device containing the controlled parameter is positioned later than the Max for Live device in the device chain.
The sample rate of a Sample loaded in Simpler. The slices of a Sample loaded in Simpler. A Clip or Sample's warp markers. Adding or removing Macro Controls in a Rack. Macro randomization. Macro Control variations. The Live Set's Groove Pool. A Groove's properties. At the right side, "Root Note" and "Scale Name" choosers allow setting a root note and scale for the selected clip s.
When a selected clip has Scale Mode enabled and a scale is selected, notes belonging to the scale are highlighted in the piano roll. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll. When editing multiple clips with different key and scale settings, any foreground clip with Scale Mode enabled now updates the global settings that are used to initialize the next created clips, as well as Push's key and scale.
When a selected clip has Scale Mode enabled and a scale is selected, pressing the new "Scale" "Fold to Scale" button at the right of the "Fold" button folds to key tracks containing notes, as well as key tracks belonging to the scale. It is now possible to set a preference for spelling a clip's notes with flats, sharps, or both, via the piano roll's context menu. An additional "Auto" option automatically selects flats or sharps based on the position of the root note in the circle of fifths.
The Chance Editor lane is hidden by default. The Velocity and Chance Editor lanes can be shown or hidden via the lane selector toggle buttons at the left. The Velocity and Chance Editor lanes can be resized individually via their split lines. If no markers are selected, values for all notes will be randomized. The slider's randomization value can be typed as a number with the keyboard, and triggers randomization when validated using the "Enter" key.
When a key track height is low enough, this triangle will disappear. It is possible to edit probabilities for selected notes in Draw Mode. Updated the appearance of Velocity markers. It is now possible to edit velocity values for selected notes using numerical keys.
It is now possible to see and edit a velocity range, from which a velocity value is selected when a note is played. In the Notes tab, a "Velocity Range" slider allows assigning velocity ranges to selected notes or all notes in a single clip, if none are selected. The velocity range is indicated by the shaded area between the horizontal handle and the velocity marker. Double-clicking the velocity marker will reset the range to 0. It is now possible to choose between two different Draw Mode options.
When enabled, drawing MIDI notes is constrained to one single key track or pitch at a time, while holding the "ALT" key allows freehand melodic drawing. When disabled, Draw Mode defaults to melodic drawing, and holding the "ALT" key enables pitch-locked drawing. The "Melodic" Draw Mode can be used to erase notes, when drawing starts on an existing note. When a MIDI controller that has MPE Mode enabled is selected as an input device on a track, the channel input routing is fixed to "All Channels" and no individual channels can be selected.
This makes it possible to refine the expression of recorded material, or to automate polyphonic sound variations for MPE-capable instruments. Each expression lane can be shown or hidden via the lane selector toggle buttons at the left.
Each expression lane can be resized individually via their split lines. When clicking a note or any of its expression dimensions in the MIDI Note Editor while the Note Expression tab is open, the note will appear in a transparent overlay. Breakpoints appear, allowing to edit the note's Pitch, Slide, and Pressure envelopes, while markers can be used to edit the note's Velocity and Release Velocity values.
Unselected notes will appear grayed out, and their expression envelopes will be dimmed. It is possible to edit expression envelopes for multiple selected notes at once. The expressions are scaled proportionally, similar to that of velocities for multiple selected notes. In the Note Expression tab, the grid is disabled by default for easier editing at a finer resolution.
The grid's settings are separate from the grid in the other tabs, and they are saved with the clip. All expression dimensions can be edited in Draw Mode.
When a note is moved, its expression envelopes will move along with it. This also works for Pitch values in Draw Mode.
This behaviour can be inverted using the same shortcuts when the grid is on. Pitch envelopes are hidden when Fold Mode is enabled in the Note Expression tab. The new "Focus" button enables Focus Mode, which allows editing the current foreground clip only. Focus Mode can be toggled via the "N" keyboard shortcut. Holding "N" while editing with the mouse toggles Focus Mode momentarily.
Loops are now visible and editable via mouse interactions. In Focus Mode, it is not possible to select more than one multi-clip loop bar at a time, and any existing multi-selection is ignored. When Focus Mode is disabled, It is possible to create a contiguous multi-selection of multi-clip loop bars by clicking them while holding the "Shift" modifier key. When Focus Mode is enabled, any existing multi-selection is ignored.
The loop bar region is vertically resizable. When Focus Mode is enabled while multi-clip editing, the loop length controls and Notes tools are now available for editing the active clip. Previously when crossing a loop boundary while making a rubberband selection, all notes were selected. Now, only the notes that are inside the selection rectangle are selected. When Focus Mode is enabled, the title bar of the Clip box in the Detail View now appears in the active clip's color.
When Focus Mode is disabled, "Scale" is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled. When Focus mode is enabled, "Scale" is enabled and folds key tracks to the scale of the foreground clip, if the foreground clip has Scale Mode enabled.
It is now possible to transpose notes across multiple selected clips using the Transpose control in the Notes tab. The Invert button is now enabled in the Notes tab when at least one note is selected, and it is possible to invert selected notes from multiple clips at the same time. The inversion is not applied on a per-clip basis, but for the selection as a whole - as if all selected notes belonged to one clip. The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface.
Per-note expression is forwarded through Racks. Per-note expression is forwarded through these devices. The Arpeggiator device now supports modulating the root notes of an arpeggio via MPE. Note: MPE modulation is not applied to transpositions generated by the device. Toggling MPE Mode in a plug-in device is now possible via the device's context menu. When MPE is enabled, an indicator appears on the device's title bar. Sampler: Sampler now supports MPE. Added an "MPE" text label to the right corner of the Sampler device's title bar.
Simpler: Simpler now supports MPE. Added an "MPE" text label to the right corner of the Simpler device's title bar. Wavetable can now be fully controlled using MPE controllers. All MPE modulation sources now appear in the device's expanded view. Added an "MPE" text label to the right corner of the Wavetable device's title bar. Collision: Updated the appearance of the Collision device's UI.
Corpus: Updated the appearance of the Corpus device's UI. Electric: Updated the appearance of the Electric device's UI. The "Tine" and "Tone Bar" parameters are now consistently named.
Tension: Updated the appearance of the Tension device's UI. Chorus-Ensemble provides three different effect modes: Classic is a thickening chorus effect. A high-pass filter allows removing the chorus signal from low frequencies. The width of the chorus signal can be adjusted; this is useful for complex mixing tasks. The feedback signal can be inverted, which results in a "hollow" sound when combined with high feedback values.
Ensemble is based on and shares controls with the Classic mode, while adding a third phase-shifted delay line for a thicker chorus sound. Vibrato applies stronger modulation than a chorus to create pitch variation. The shape of the modulation waveform can morph seamlessly from a sine to a triangle, and be used to create well-known "police siren" sounds. Global controls allow setting the modulation rate and amount, output gain, and harmonic saturation via the "Warmth" parameter.
Hybrid Reverb: Introduced "Hybrid Reverb", a new audio effect which allows blending a convolution reverb with a number of reverb algorithms. Besides providing a selection of impulse responses, the device allows dragging any audio file into the device to be used for the convolution processing, as well as shaping the envelope and size of impulse responses via dedicated controls.
An algorithmic section contains several reverb modes, each providing a different set of parameters and sonic properties: Dark Hall, Prism, Quartz, Shimmer, and Tides. The convolution and algorithmic sections can be routed either in series or parallel, and their volume relationship can be continuously adjusted via a Blend control.
An EQ section can be used to shape the reverb sound, and a "Pre Algo" toggle allows excluding the convolution engine from the EQ. A "Vintage" control introduces a degradation of the signals, to emulate the behavior of older digital reverb units. The MPE data is transformed via curves, which can consist of either two or three breakpoints. Phaser-Flanger combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes.
The Phaser mode has a new, lusher sound with increased frequency and modulation ranges, while the previous Earth and Space modes have been replaced with more expressive parameters. Also included is a new Doubler effect mode. Redux: Upgraded the Redux device.
New parameters allow creating a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds. Jitter adds noise to the downsampling process. A Shape parameter allows transforming the quantizer's curve. Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source.
MIDI sidechain parameters allow processing any material in key with its surrounding musical elements. Spectral Resonator offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization.
Spectral Time combines time freezing and spectral delay effects in a single inspiring device. The freeze and delay effects can be used together or independently, allowing for a wide range of possibilities, such as sustaining any sound infinitely, or combining delays with time-synced fade transitions. Additionally, when a Max for Live device is disabled, MPE will be forwarded through the device's dry signal path. The Expression Control device now allows assigning an additional parameter as a mapping target.
Pressing a new button in the upper right corner of the LED opens a new view, where each modulation target can be transformed via curves and breakpoints. New modulation sources have been added to the device: Expression Expression Controller, MIDI CC 11 Random allows generating a random modulation value per note Incremental allows adding a fixed amount to the modulation value with each new note Slide per-note Y-Axis, converted to monophonic modulation data; useful when controlling effects in a device chain via an MPE controller Sustain Sustain Pedal, MIDI CC 64 All Max for Live devices have been moved inside the application bundle previously, they lived in the Core Library , to ensure that using Collect All and Save will not create redundant copies of the devices.
Improved waveform drawing in the Shaper and Envelope Follower devices. Push Added a "Pressure" switch to Push 2's Setup Menu shown when pressing the Setup button that allows toggling between monophonic and polyphonic aftertouch when playing melodic instruments.
The state of this switch is stored in Live's preferences. Push 2 and MIDI controllers sending polyphonic aftertouch can be used with plug-in devices that support polyphonic aftertouch. When Push 2's Pressure mode is set to "Poly", the Repeat button now produces notes at full velocity when Accent is enabled.
When a Rack contains a parameter mapped to one of the new Macro Controls i. Degree symbol icons Push 1 or bullet point icons Push 2 are used to differentiate the Rack from the device. The new device is only visible when the Rack is open, but otherwise behaves exactly the same as the Rack. If Focus Mode is enabled in multi-clip editing, only the foreground clip's key and scale will be updated in Live. A mapped Macro Control can be excluded from randomization via the "Exclude Macro from Randomization" context menu option.
Volume Macros in Instrument Rack presets are excluded from randomization by default. By default, each stored variation will be named sequentially as "Variation 1", "Variation 2", etc. A variation can be renamed, duplicated or deleted via its context menu, the Edit menu, or using keyboard shortcuts.
It is now possible to rename multiple selected scenes simultaneously. It is now possible to rename multiple selected tracks simultaneously. When the Expression tab is open, using the "Zoom to Clip Selection" command or "Z" key shortcut now adjusts the zoom level according to pitch bend values contained in the time selection.
It is now possible to clear all per-note Pitch, Slide and Pressure expression envelopes of a note at once by using the "Clear All Envelopes" entry in the context menu of the per-note expression breakpoint editor. Updated some lesson translations in German, Spanish, French, and Italian languages. Plug-in devices now look similar to built-in Ableton devices when disabled. In the Session View's Track Status display, the remaining play time of an unlooped clip now always displays the seconds with two digits e.
Updated some Japanese and Chinese info text translations. In the Spectral Resonator device, when low polyphony and unison voices are set, less CPU usage should be shown. Added the following changes to the Sample tab of audio clips: - The Clip Gain control has been changed back to a vertical slider, and it has been repositioned above the Transpose controls.
When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider. Added some visual refinements to the Clip View tabs. Adjusting multiple encoders while recording automation now creates less undo steps on Push 1 and 2. Updated the bundled Max build to version 8.
Previously, the Operator device could crash or calculate inaccurate frequencies when its Fixed Mode and Spread parameters were enabled.
Switching between oscillator effects in the Wavetable device now changes labels within each matrix as expected. When using a device parameter's "Show Automation" or "Show Modulation" context menu command while a Session clip is playing, Live now switches to the Envelopes tab in the Clip View when no clip is selected. Fixed the following bugs in Max for Live: - Sending a getpath message to a live. Fixed a crash that could occur when restoring the Arrangement View's zoom state using the "Z" keyboard shortcut after deleting a take lane.
Fixed a crash that could occur when clicking in a track's main lane after track content had been selected during recording, under certain circumstances. Previously, mixer controls in linked tracks would still be linked when selecting a take lane, after multiple track headers had previously been selected. Fixed the alignment of the Launch text label that appears in the expanded view of the Clip View's Clip box. Previously, when the Expression tab was visible, making a rectangular selection of a single note in the MIDI Note Editor would incorrectly set the focus to pitch bend expression editing.
Fixed the following bugs: - When copying a folder with audio files to another folder which was already in Places, the files would not appear in the browser. Arrangement clip headers no longer have an uneven appearance. Previously, resizing the Device View, as a result of switching to the Arrangement View, while no clip was selected would result in automation lanes having the wrong height when switching back to the Session View.
Previously, the waveform of an audio clip in the Detail View would be displayed in a dimmed color, although that clip was not audible while Audition Mode was enabled. Previously, the Follow Action Time marker was sometimes displayed at the wrong position in unwarped clips.
Previously, an Arrangement clip header would not be displayed as having a standby selection when the focus was moved away. Using pinch gestures to zoom once again works in expression lanes. Improved the text contrast in the Session View's Track Status display for unlooped clips. Previously, using Tempo Follower and Tap Tempo at the same time could create a conflict with Live's tempo.
To prevent this, Tempo Follower is now disabled as long as Tap Tempo is active.
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