Connect it to your charger and it will automatically turn on once it has enough power. Follow the instructions to pair your device and customize it to your preferences. This allows your watch to connect with the Google Play Store and make sure it has the latest software. Under "Settings," choose "Connectivity" to add a network.
From daily step counts to heart rate and exercise tracking, Google Fit is the personal coach you always wanted. Heart Points help keep you on track every day. Check your heart rate from your dial or in Google Fit. With a battery life that can last the day with you, your watch is ready to keep you connected. And new smart battery modes help you extend your battery for multiple days.
It is outstanding amongst other ringtone applications you can download today. Google Play Store covers numerous believable best Ringtone Apps that you can download for your Android gadget. It has a horde assortment of the best and most mainstream tunes you can download for nothing.
From amusing, infant, to Christian and Bollywood, you have a lot of alternatives to browse. Besides, you can tune in to your downloaded ringtones even without a web association. All things considered, in the event that you are searching for an Android application where you can download free ringtones, warnings, and caution sounds, at that point Z ringtones might be the most ideal decision for you.
Z ringtones accompany an astounding interface and are totally free, no in-application buys required. The application has some top-notch ringtones that you can legitimately set as your telephone ringtone. It includes a truly respectable route against a light-earthy colored foundation so you can undoubtedly peruse ringtones without making sense of what to click. The application additionally permits you to tweak your own ringtone and set it as your warning sounds.
If you like to set an adorable and entertaining ringtone, at that point, Cute Ringtones Free is for you. Adorable Ringtones Free additionally gives the best backdrops to Android. That, yet, the application likewise composes ringtones by their classifications.
As the name of the program puts it, the Ringtones Top contains just the most well-known ringtones from around the globe. The program has a restricted, yet a most fabulous assortment of ringtones. Top ringtones incorporate a wide scope of audio effects, shocking 3D encompass sound, astonishing popular music, and so forth. You can set the tones as ringtones, SMS ringtones, caution tones, and so on. In this way, the Ringtones Top is another best free ringtone application for Android that you can utilize immediately.
Super Funny Ringtones is additionally one of our best ringtone apps for Android. It has a huge rundown of highlights like 3D hey fi sounds, interesting ringtones like infant giggles,. Banana swarm, Christmas melody, closest companion, bear tune, insane chicken, Donald duck, iPhone flunkies, and significantly more.
Above mentioned, all the best free ringtone apps For Android can assist you with setting the best ringtone successfully on your Android. So appreciate the space and accommodation of your phone.
Enabling deinterlacing or simply their respective post-processing filters will possibly at least reduce color quality by converting the output to a 8 bit format. It appears to always use BT. Some drivers appear to convert to limited range RGB, which gives a faded appearance. In addition to driver-specific behavior, global system settings might affect this additionally.
This can give incorrect results even with completely ordinary video sources. It can also sometimes cause massive framedrops for unknown reasons.
Caution is advised, and nvdec should always be preferred. It always converts to YUV, which may be lossy, depending on how chroma sub-sampling is done during conversion. It also discards the top left pixel of each frame for some reason. All other methods, in particular the copy-back methods like dxva2-copy etc. At the very least, they shouldn't affect the colors of the image.
In particular, auto-copy will only select "safe" modes although potentially slower than other methods , but there's still no guarantee the chosen hardware decoder will actually work correctly.
In general, it's very strongly advised to avoid hardware decoding unless absolutely necessary, i. If you run into any weird decoding issues, frame glitches or discoloration, and you have --hwdec turned on, the first thing you should try is disabling it.
This option is for troubleshooting hwdec interop issues. Since it's a debugging option, its semantics may change at any time. This is useful for the gpu and libmpv VOs for selecting which hwdec interop context to use exactly.
Effectively it also can be used to block loading of certain backends. If set to auto default , the behavior depends on the VO: for gpu , it does nothing, and the interop context is loaded on demand when the decoder probes for --hwdec support. For libmpv , which has has no on-demand loading, this is equivalent to all. If set to all , it attempts to load all interop contexts at GL context creation time. Other than that, a specific backend can be set, and the list of them can be queried with help mpv CLI only.
Runtime changes to this are ignored the current option value is used whenever the renderer is created. The old aliases --opengl-hwdec-interop and --hwdec-preload are barely related to this anymore, but will be somewhat compatible in some cases. Number of GPU frames hardware decoding should preallocate default: see --list-options output. Setting it too high simply wastes GPU memory and has no advantages.
This value is used only for hardware decoding APIs which require preallocating surfaces known examples include d3d11va and vaapi. For other APIs, frames are allocated as needed. The details depend on the libavcodec implementations of the hardware decoders. The required number of surfaces depends on dynamic runtime situations.
The default is a fixed value that is thought to be sufficient for most uses. But in certain situations, it may not be enough. Set the internal pixel format used by hardware decoding via --hwdec default no. The special value no selects an implementation specific standard format. Most decoder implementations support only one format, and will fail to initialize if the format is not supported. Some implementations might support multiple formats. In particular, videotoolbox is known to require uyvy for good performance on some older hardware.
For the OpenGL GPU backend, the default device used for decoding is the one being used to provide gpu output and in the vast majority of cases, only one GPU will be present.
For the copy hwdecs, the default device will be the first device enumerated by the CUDA libraries - however that is done. For the Vulkan GPU backend, decoding must always happen on the display device, and this option has no effect. Enables pan-and-scan functionality cropping the sides of e. The range controls how much of the image is cropped.
May not work with all video output drivers. This option has no effect if --video-unscaled option is used. Override video aspect ratio, in case aspect information is incorrect or missing in the file being played. Normally you should not set this. Try the various choices if you encounter video that has the wrong aspect ratio in mpv, but seems to be correct in other players. Disable scaling of the video. If the window is larger than the video, black bars are added.
Otherwise, the video is cropped, unless the option is set to downscale-big , in which case the video is fit to window. The video still can be influenced by the other --video This option disables the effect of --panscan. Note that the scaler algorithm may still be used, even if the video isn't scaled. For example, this can influence chroma conversion.
The video will also still be scaled in one dimension if the source uses non-square pixels e. This option is disabled if the --no-keepaspect option is used. Moves the displayed video rectangle by the given value in the X or Y direction.
The unit is in fractions of the size of the scaled video the full size, even if parts of the video are not visible due to panscan or other options. Rotate the video clockwise, in degrees.
If no is given, the video is never rotated, even if the file has rotation metadata. The rotation value is added to the rotation metadata, which means the value 0 would rotate the video according to the rotation metadata.
Adjust the video display scale factor by the given value. The parameter is given log 2. Multiply the video display size with the given value default: 1. If a non-default value is used, this will be different from the window size, so video will be either cut off, or black bars are added.
This value is multiplied with the value derived from --video-zoom and the normal video aspect aspect ratio. Moves the video rectangle within the black borders, which are usually added to pad the video to screen if video and screen aspect ratios are different.
Set extra video margins on each border default: 0. Each value is a ratio of the window size, using a range 0. The video is "boxed" by these margins.
The window size is not changed. In particular it does not enlarge the window, and the margins will cause the video to be downscaled by default.
This may or may not change in the future. Subtitles still may use the margins, depending on --sub-use-margins and similar options. These options were created for the OSC. Some odd decisions, such as making the margin values a ratio instead of pixels , were made for the sake of the OSC. It's possible that these options may be replaced by ones that are more generally useful.
The behavior of these options may change to fit OSC requirements better, too. Works in --no-correct-pts mode only. Enable or disable interlacing default: no. Interlaced video shows ugly comb-like artifacts, which are visible on fast movement. Enabling this typically inserts the yadif video filter in order to deinterlace the video, or lets the video output apply deinterlacing if supported. This behaves exactly like the deinterlace input property usually mapped to d.
Keep in mind that this will conflict with manually inserted deinterlacing filters, unless you take care. Since mpv 0. Might be useful for scripts which just want to determine some file properties. For audio-only playback, any value greater than 0 will quit playback immediately after initialization.
The value 0 works as with video. Normally, output devices such as PC monitors use full range color levels. Providing full range output to a device expecting studio level input results in crushed blacks and whites, the reverse in dim gray blacks and dim whites.
It is advisable to use your graphics driver's color range option instead, if available. Allow hardware decoding for a given list of codecs only. The special value all always allows all codecs. Remove the prefix, e. By default, this is set to h,vc1,hevc,vp8,vp9,av1.
This is usually only needed with broken GPUs, where a codec is reported as supported, but decoding causes more problems than it solves. Fallback to software decoding if the hardware-accelerated decoder fails default: 3. If this is a number, then fallback will be triggered if N frames fail to decode in a row. Setting this to a higher number might break the playback start fallback: if a fallback happens, parts of the file will be skipped, approximately by to the number of packets that could not be decoded.
Values below an unspecified count will not have this problem, because mpv retains the packets. Enable direct rendering default: yes. If this is set to yes , the video will be decoded directly to GPU video memory or staging buffers.
This can speed up video upload, and may help with large resolutions or slow hardware. This works only with the following VOs:. In particular, this can't be made work with opengl-cb , but the libmpv render API has optional support. Using video filters of any kind that write to the image data or output newly allocated frames will silently disable the DR code path.
Pass AVOptions to libavcodec decoder. Skips the loop filter AKA deblocking during H. Since the filtered frame is supposed to be used as reference for decoding dependent frames, this has a worse effect on quality than not doing deblocking on e. MPEG-2 video. But at least for high bitrate HDTV, this provides a big speedup with little visible quality loss. Use the given audio device. This consists of the audio output name, e. The default value for this option is auto , which tries every audio output in preference order with the default device.
This outputs the device name in quotes, followed by a description. The device name is what you have to pass to the --audio-device option. The list of audio devices can be retrieved by API by using the audio-device-list property.
While the option normally takes one of the strings as indicated by the methods above, you can also force the device for most AOs by building it manually. However, the --ao option will strictly force a specific AO. To avoid confusion, don't use --ao and --audio-device together. MPlayer and mplayer2 required you to replace any ',' with '. For example, to use the device named dmix:default , you had to do:. Enable exclusive output mode.
In this mode, the system is usually locked out, and only mpv will be able to output audio. This only works for some audio outputs, such as wasapi and coreaudio. Other audio outputs silently ignore this options. They either have no concept of exclusive mode, or the mpv side of the implementation is missing.
List of codecs for which compressed audio passthrough should be used. Possible codecs are ac3 , dts , dts-hd , eac3 , truehd. Multiple codecs can be specified by separating them with ,.
If both dts and dts-hd are specified, it behaves equivalent to specifying dts-hd only. In earlier mpv versions you could use --ad to force the spdif wrapper. This does not work anymore. There is not much reason to use this. Specify a priority list of audio decoders to be used, according to their decoder name. When determining which decoder to use, the first decoder that matches the audio format is selected.
If that is unavailable, the next decoder is used. Finally, it tries all other decoders that are not explicitly selected or rejected by the option. Both of these should not normally be used, because they break normal decoder auto-selection!
Both of these methods are deprecated. Use --audio-spdif instead. Set the startup volume. Negative values can be passed for compatibility, but are treated as 0. The current behavior is that softvol is always enabled, i. The other behaviors are not available anymore, although auto almost matches current behavior in most cases.
The no behavior is still partially available through the ao-volume and ao-mute properties. But there are no options to reset these. Values up to 6 are also accepted, but are purely experimental. This option only shows an effect if the AC-3 stream contains the required range compression information.
The standard mandates that DRC is enabled by default, but mpv and some other players ignore this for the sake of better audio quality. Control which audio channels are output e. There are the following possibilities:. Use the system's preferred channel layout.
If there is none such as when accessing a hardware device instead of the system mixer , force stereo. Some audio outputs might simply accept any layout and do downmixing on their own. Send the audio device whatever it accepts, preferring the audio's original channel layout. Can cause issues with HDMI see the warning below. List of , -separated channel layouts which should be allowed.
Technically, this only adjusts the filter chain output to the best matching layout in the list, and passes the result to the audio API. It's possible that the audio API will select a different channel layout. Force a plain stereo downmix.
This is a special-case of the previous item. See paragraphs below for implications. If a list of layouts is given, each item can be either an explicit channel layout name like 5. Channel numbers refer to default layouts, e. This also lists speaker names, which can be used to express arbitrary channel layouts e.
If the list of channel layouts has only 1 item, the decoder is asked to produce according output. This sometimes triggers decoder-downmix, which might be different from the normal mpv downmix. This happens because the decision whether to use decoder downmix happens long before the audio device is opened.
If the channel layout of the media file i. You may need to change the channel layout of the system mixer to achieve your desired output as mpv does not have control over it. Using auto can cause issues when using audio over HDMI. If a receiver gets an unsupported channel layout, random things can happen, such as dropping the additional channels, or adding noise.
You are recommended to set an explicit whitelist of the layouts you want. Determines whether to display cover art when playing audio files and with what priority. It will display the first image found, and additional images are available as video tracks. This is a path list option. Try to play consecutive audio files with no silence or disruption at the point of file change.
Default: weak. This feature is implemented in a simple manner and relies on audio output device buffering to continue playback while moving from one file to another.
If playback of the new file starts slowly, for example because it is played from a remote network location or because you have specified cache settings that require time for the initial cache fill, then the buffered audio may run out before playback of the new file can start. Set the maximum amplification level in percent default: A value of will allow you to adjust the volume up to about double the normal level.
Load additional audio files matching the video filename. The parameter specifies how external audio files are matched. Equivalent to --sub-file-paths option, but for auto-loaded audio files. Set the audio output minimum buffer. The audio device might actually create a larger buffer if it pleases. If the device creates a smaller buffer, additional audio is buffered in an additional software buffer. Making this larger will make soft-volume and other filters react slower, introduce additional issues on playback speed change, and block the player on audio format changes.
A smaller buffer might lead to audio dropouts. This option should be used for testing only. If a non-default value helps significantly, the mpv developers should be contacted.
This can happen every time audio over HDMI is stopped and resumed. In order to compensate for this, you can enable this option to not to stop and restart audio on seeks, and fill the gaps with silence. Likewise, when pausing playback, audio is not stopped, and silence is played while paused. Note that if no audio track is selected, the audio device will still be closed immediately.
Enabling this option is strongly discouraged. Changing styling and position does not work with all subtitles. Subtitles in ASS format are normally not changed intentionally, but overriding them can be controlled with --sub-ass-override. They are now all in this section. If you use --sub-file only once, this subtitle file is displayed by default. If --sub-file is used multiple times, the subtitle to use can be switched at runtime by cycling subtitle tracks.
It's possible to show two subtitles at once: use --sid to select the first subtitle index, and --secondary-sid to select the second index. Select a secondary subtitle stream.
This is similar to --sid. If a secondary subtitle is selected, it will be rendered as toptitle i. There are some caveats associated with this feature. For example, bitmap subtitles will always be rendered in their usual position, so selecting a bitmap subtitle as secondary subtitle will result in overlapping subtitles.
Secondary subtitles are never shown on the terminal if video is disabled. Styling and interpretation of any formatting tags is disabled for the secondary subtitle. Internally, the same mechanism as --no-sub-ass is used to strip the styling. If the main subtitle stream contains formatting tags which display the subtitle at the top of the screen, it will overlap with the secondary subtitle.
To prevent this, you could use --no-sub-ass to disable styling in the main subtitle stream. This affects ASS subtitles as well, and may lead to incorrect subtitle rendering. Use with care, or use --sub-font-size instead.
Whether to scale subtitles with the window size default: yes. If this is disabled, changing the window size won't change the subtitle font size. Like --sub-scale , this can break ASS subtitles. Make the subtitle font size relative to the window, instead of the video. This is useful if you always want the same font size, even if the video doesn't cover the window fully, e. This option is misnamed. The difference to the confusingly similar sounding option --sub-scale-by-window is that --sub-scale-with-window still scales with the approximate window size, while the other option disables this scaling.
Affects plain text subtitles only or ASS if --sub-ass-override is set high enough. Like --sub-scale-with-window , but affects subtitles in ASS format only. Specify the position of subtitles on the screen.
Values above move the subtitle further down. Text subtitles as opposed to image subtitles may be cut off if the value of the option is above This is a libass restriction. This affects ASS subtitles as well, and may lead to incorrect subtitle rendering in addition to the problem above.
Using --sub-margin-y can achieve this in a better way. Multiply the subtitle event timestamps with the given value. Can be used to fix the playback speed for frame-based subtitle formats. Affects text subtitles only. Enabling hinting can lead to mispositioned text in situations it's supposed to match up video background , or reduce the smoothness of animations with some badly authored ASS scripts. It is recommended to not use this option, unless really needed. If libass hasn't been compiled against HarfBuzz, libass silently reverts to simple.
Control whether user style overrides should be applied. Note that all of these overrides try to be somewhat smart about figuring out whether or not a subtitle is considered a "sign".
Enables placing toptitles and subtitles in black borders when they are available, if the subtitles are in the ASS format. Enables placing toptitles and subtitles in black borders when they are available, if the subtitles are in a plain text format or ASS if --sub-ass-override is set high enough.
Renamed from --sub-ass-use-margins. To place ASS subtitles in the borders too like the old option did , also add --sub-ass-force-margins. This switch has no effect when the video is stored with square pixels. This behavior is usually undesirable and newer VSFilter versions may behave differently. However, many existing scripts compensate for the stretching by modifying things in the opposite direction.
Thus, if such scripts are displayed "correctly", they will not appear as intended. This switch enables emulation of the old VSFilter behavior undesirable but expected by many existing scripts.
This is bug in VSFilter, which according to some, can't be fixed anymore in the name of compatibility. Note that this uses the actual video resolution for calculating the offset scale factor, not what the video filter chain or the video output use. Mangle colors like xy- vsfilter do default: basic. Historically, VSFilter was not color space aware. This was no problem as long as the color space used for SD video BT.
But when everything switched to HD BT. The result were mangled subtitle colors. Later on, bad hacks were added on top of the ASS format to control how colors are to be mangled. Choosing anything other than no will make the subtitle color depend on the video color space, and it's for example in theory not possible to reuse a subtitle script with another video file. The --sub-ass-override option doesn't affect how this option is interpreted.
This switch has no effect when the video is stored with square pixels - which for DVD input cannot be the case though. Many studios tend to use bitmap fonts designed for square pixels when authoring DVDs, causing the fonts to look stretched on playback on DVD players.
This option fixes them, however at the price of possibly misaligning some subtitles e. Stretch DVD and other image subtitles to the screen, ignoring the video margins. This has a similar effect as --sub-use-margins for text subtitles, except that the text itself will be stretched, not only just repositioned.
At least in general it is unavoidable, as an image bitmap can in theory consist of a single bitmap covering the whole screen, and the player won't know where exactly the text parts are located. If --no-sub-ass is specified, all tags and style declarations are stripped and ignored on display. The subtitle renderer uses the font style as specified by the --sub- options instead. It can sometimes be useful to forcibly override the styling of ASS subtitles, but should be avoided in general.
Load additional subtitle files matching the video filename. The parameter specifies how external subtitle files are matched.
You can use this option to specify the subtitle codepage. If mpv was not compiled with uchardet, then utf-8 is the effective default.
The default value for this option is auto , which enables autodetection. This option changed in mpv 0. Support for the old syntax was fully removed in mpv 0. This works for text subtitle files only. Other types of subtitles in particular subtitles in mkv files are always assumed to be UTF Specify the framerate of the subtitle file default: video fps. Apply Gaussian blur to image subtitles default: 0.
A value other than 0 also switches to software subtitle scaling. Might be slow. Convert image subtitles to grayscale. Specify extra directories to search for subtitles matching the video. Multiple directories can be separated by ":" ";" on Windows. Paths can be relative or absolute. Relative paths are interpreted relative to video file directory.
If the file is a URL, only absolute paths and sub configuration subdirectory will be scanned. Can be used to disable display of secondary subtitles, but still select and decode them. After the last frame of video, if this option is enabled, subtitles will continue to update based on audio timestamps. Otherwise, the subtitles for the last video frame will stay onscreen. Specify font to use for subtitles that do not themselves specify a particular font.
The default is sans-serif. The --sub-font option and many other style related --sub- options are ignored when ASS-subtitles are rendered, unless the --no-sub-ass option is specified. This used to support fontconfig patterns. Starting with libass 0. Specify the sub font size. The unit is the size in scaled pixels at a window height of The actual pixel size is scaled with the window height: if the window height is larger or smaller than , the actual size of the text increases or decreases as well.
See --sub-color. Color used for the sub font border. Size of the sub font border in scaled pixels see --sub-font-size for details. A value of 0 disables borders. For example, FF is red. This is similar to web colors. Left and right screen margin for the subs in scaled pixels see --sub-font-size for details. This option specifies the distance of the sub to the left, as well as at which distance from the right border long sub text will be broken.
Top and bottom screen margin for the subs in scaled pixels see --sub-font-size for details. This option specifies the vertical margins of unstyled text subtitles. If you just want to raise the vertical subtitle position, use --sub-pos. Control to which corner of the screen text subtitles should be aligned to default: center. Never applied to ASS subtitles, except in --no-sub-ass mode.
Likewise, this does not apply to image subtitles. Displacement of the sub text shadow in scaled pixels see --sub-font-size for details. A value of 0 disables shadows. Horizontal sub font spacing in scaled pixels see --sub-font-size for details. This value is added to the normal letter spacing.
Negative values are allowed. Applies filter removing subtitle additions for the deaf or hard-of-hearing SDH. This is intended for English, but may in part work for other languages too. The intention is that it can be always enabled so may not remove all parts added.
It removes speaker labels like MAN: , upper case text in parentheses and any text in brackets. Do harder SDH filtering if enabled by --sub-filter-sdh. Will also remove speaker labels and text within parentheses using both lower and upper case letters. Set a list of regular expressions to match on text subtitles, and remove any lines that match default: empty. List items are matched in order. If a regular expression matches, the process is stopped, and the subtitle line is discarded.
The text matched against is, by default, the Text field of ASS events if the subtitle format is different, it is always converted.
This may include formatting tags. Matching is case-insensitive, but how this is done depends on the libc, and most likely works in ASCII only. Technically, using a list for matching is redundant, since you could just use a single combined regular expression. But it helps with diagnosis, ease of use, and temporarily disabling or enabling individual filters. This is experimental. The semantics most likely will change, and if you use this, you should be prepared to update the option later.
Ideas include replacing the regexes with a very primitive and small subset of sed, or some method to control case-sensitivity.
0コメント